As writers, we know our characters should have positive and negative attributes because in real life, each individual is a mix of both. Flaws are especially important as in the character’s weaker moments, they dictate their thoughts, actions and behaviors, leading to poor decisions and mistakes. Talk about fueling great conflict and tension!Read More
Filtering by Category: Characters
The term "archetype" has its origins in ancient Greek. The root words are archein, which means "original or old"; and typos, which means "pattern, model or type". The combined meaning is an "original pattern" of which all other similar persons, objects, or concepts are derived, copied, modeled, or emulated.Read More
Like with most writers, I started out writing from the point of view of semi-Mary Sues–characters who were essentially somewhat blank, passive, and no more than tools that the reader can use to project themselves into the world. I think I’ve always known not to create outright Mary Sues, so I ended up with a lot of male characters.Read More
Are you a writer who uses rich, lush descriptions for their settings and characters? Or one who just wants “the facts, Ma’am, just the facts”? Is it an effort to decide how much description to use, where, and exactly what?
If you struggle with Description Depression in your writing, you’re not alone. There isn’t a “correct” way to use description in fiction, although, in my humble opinion, you’re better off using too little than too much.Read More
Ah, the love triangle. For the romantically inclined, is there anything more enticing, more gut-wrenching? The passion, the torn desires, the often vastly different futures – it’s simply too much! *back of hand to forehead in fainting gesture!*Read More
Do your homework.
Writing is a hell of a tough racket, and if you’re lazy about it, it will defeat you so fast it’ll make your head spin.
So before you type Chapter One into that virginal word processor page—and then sit for weeks wondering what to do next—do your homework for each one of your characters. Write a character outline.
Nota bene: I didn’t say, “write a description.” Color of eyes and hair, height, weight, and so on, are not important. What matters is the inner character, the mind, the soul, and the handful of values she holds dear.Read More
Welcome to Part 2 of my series about how to write a great heroine. You can catch up with Part 1, all about why compelling heroines are so important, here. This week I’m looking into the different ways we can make the heroine seem so real to the reader that they forget she is a fictional creation.Read More
Welcome to a weekend in the QE household. It’s blistering hot outside (100 Fahrenheit) and with our baby boy not being impervious to the heat, we are trapped in the house. Given our confinement, my wife and I have spent some time watching what I classify as, “terribly cheesy television shows.” Truth be told, I have found myself guiltily enjoying them tooRead More
Some people would argue that there are lots and lots of things.
But today I learned it once again boils down to the characters.
Last week I talked about writing real-life characters who walk and talk like flesh and blood. But how just how do I breathe life into a character? By showing they react to a situation and what makes them special and unique. That is what turns an ordinary cliche of astory such as boy meets girl into an authentic book that only I can write.Read More
Recently I was reading a promising romance novel, and then, in the midst of chapter six, I found myself placing the book face down on my kitchen table in frustration.
The hero was absolutely perfect.
And I was bored out of my mind.
A perfect man—that sounds amazing, right? That’s what we want in a romance novel. We want our heroine to find the perfect man to live happily ever after with.
Sure, it sounds nice, but it’s not exactly exciting.
If he’s already perfect, what’s left for the heroine to bring to his life?
Let’s take a look at why the perfect man isn’t perfect for a riveting romance novel.Read More
Dialogue. It’s the lifeblood of any work of fiction. It’s how we get to know the characters of a story. It’s the way the characters speak to us.
And it’s also a trap for many writers.
It’s one thing to write dialogue. It’s another thing entirely to make it convincing.Read More
The other week in a lady nerd group, a friend of mine was talking about how much she hated it that in so much children’s literature, the villains were ugly. And I was like, “YES YES A THOUSAND TIMES YES!”
Even as a kid, it bothered me that Cinderella’s evil stepsisters were hideous. I loathed Roald Dahl’s depiction of the character Augustus Gloop, a fat, slobby boy obsessed with eating who gets a frightening comeuppance.
As an ugly child, it was easy for me to see the injustice in how often the villains and fools in stories were unattractive.
Some writers still fall into this trap as adults! I was once in a romance critique group with a woman who had a loathsome female character in her story. In more than one place, the story described this character’s fat body in disparaging detail.Read More
One of my more popular blog posts is my master list of physical descriptions. If you’re writing in third person with multiple points of view, it’s pretty easy to work descriptors in there.
However, if you’re working in first person, or third person from the point of view of only one character, giving your reader a mental picture of what the protagonist looks like can be tricky… and most readers want to be able to picture him or her in their mind.
My main advice is this: unless you can figure out a clever and natural way to set it up, don’t do a whole paragraph early on about your character’s looks.Read More